{"id":3309,"date":"2017-09-10T11:14:33","date_gmt":"2017-09-10T08:14:33","guid":{"rendered":"https:\/\/credobonum.bg\/en\/?p=3309"},"modified":"2025-05-05T17:21:32","modified_gmt":"2025-05-05T14:21:32","slug":"breaks-exhibition-by-daniela-oleg-lyahova","status":"publish","type":"post","link":"https:\/\/credobonum.bg\/en\/breaks-exhibition-by-daniela-oleg-lyahova\/","title":{"rendered":"Breaks: exhibition by Daniela Oleg Lyahova"},"content":{"rendered":"<p>Daniela Oleg Lyahova is an artist most famous for her stage design projects. And yet throughout her creative career she also worked in the field of graphics and painting. Most of these works, however, never left her atelier which preserves hundreds of pictures and sketches. An astounding body of creative work has remained unknown to the public. Although it has never been exhibited, it is a natural part of the life and personality of its author for whom painting and stage design were indelibly linked, simultaneously evolving and mutually enhancing.<\/p>\n<p>The exhibition includes a selection of drawings, paintings, as well as a book written and illustrated by the artist. All were created between 1990 and 2006. It is a chance to follow the development of her interests, the directions of her work and the deep study of separate aspects of the image. The observation of nature and the representational motives in some of the works gradually flow into abstract surfaces bearing the reverberations of reality. Elements of the landscape become powerful symbols, a concentration of the spirit of the time. Painting loses its concreteness but becomes infused with emotion and meaning. <\/p>\n<p>Daniela Oleg Lyajova is among the rare Bulgarian artists who work in the field of pure abstraction. Her experimentations with different techniques are an important part of her creative quest. In her paintings she studies the relationship between light and shape. She uses a sophisticated wax technique because of the peculiar refractions of light that wax can bring. With layering, the transfusion of light through the different strata of the material has an even deeper effect. <\/p>\n<p>Daniela Oleg Lyahova (1967 \u2013 2014) studied Stage Design with Prof. Georgi Ivanov at the National Academy of Art, graduating in 1995. Her debut in theatre is the stage design of Chekhov\u2019s Uncle Vanyo (in collaboration with Nikola Toromanov) at the theatre-laboratory \u2018Sfumato\u2019.ere she took part in most projects, while also making stage designs fpr the National Theatre, for the theatres in Sliven, Lovech, Dimitrovgrad, etc.<\/p>\n<p>Throughout her career in theatre she has worked with directors like Julia Ognyanova, Galin Stoev, Krikor Azaryan, Mladenova, Ivan Dobchev, Yavor Gardev, etc.  Stage designs for \u201cBeans\u201d by Elin Rahnev, \u201cAntigona\u201d after Sophocles, \u201cForgotten by Heaven\u201d by E. Tomova, \u201cThe Black Fleece\u201d (an author\u2019s performance by M. Mladenova and Iv, Dobchev, in collaboration with Ivan Dobchev), \u201cIn the Air\u201d by A. Shipenko, \u201cThe Valley of the Shadow of Death. Alyosha\u201d and \u201cThe Valley of the Shadow of Death. Ivan\u201d after Dostoevsky, \u201cLife x 3\u201d by Yasmina Reza, Turgenev\u2019s \u201cMonth in the Country\u201d, \u201cSeagul\u201d by Chekhov, \u201cDigging Materials\u201d, written and directed by Ivan Stanev after A. Platonov, \u201cElabuga Station\u201d, written and directed by M. Mladenova, about the life of M, Tsvetaeva, \u201cAstapovo. Tolstoy\u2019s Final Station\u201d, written and directed by Iv. Dobchev, stage design Daniela Lyahova and Ivan Dobchev, \u201cTwelfth Night\u201d by William Shakespeare, \u201cJulie, Jean and Christine\u201d after Strindberg, \u201cWinter\u2019s Tale\u201d by William Shakespeare, \u201cReturn to Wittenberg\u201d by G. Tenev and Iv. Dobchev, \u201cA Behanding in Spokane\u201d by M. McDonagh, \u201cThe Knight of the Holy Spirit\u201d by B. Papazov, \u201cNight Moth\u201d after Piotr Gladilin, etc.<\/p>\n<p>Participations in art exhibitions in Bulgaria and abroad. Laureate of the IKAR Award 2008 for the stage design of \u201cJulie, Jean and Christine\u201d by A. Strindberg at \u201cSfumato\u201d, IKAR 2012 for the stage design of \u201cThe Knight of the Holy Spirit\u201d by B. Papazov at the National Theatre and for \u201cReturn to Wittenberg\u201d by Ivan Dobchev and Georgi Tenev at \u201cSfumato\u201d. ASKEER 2009 for the costume design of \u201cOOOO \u2013 Gogol\u2019s Dream\u201d after \u201cNevsky Prospect\u201d, \u201cIvan Fyodorovich Shponka\u201d, \u201cMarriage\u201d and \u201cDiary of a Madman\u201d by N. V. Gogol, ASKEER 2011 for Shakespeare\u2019s \u201cWinter\u2019s Tale\u201d at Sfumato, ASKEER 2013 for the stage design of \u201cHamlet\u201d by William Shakespeare at the National Theatre, etc.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The exhibition includes a selection of drawings, paintings, as well as a book written and illustrated by the artist. All were created between 1990 and 2006. It is a chance to follow the development of her interests.<\/p>\n","protected":false},"author":1,"featured_media":3310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[128],"tags":[154],"class_list":["post-3309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","tag-exhibition-2017"],"acf":[],"_links":{"self":[{"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/posts\/3309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/comments?post=3309"}],"version-history":[{"count":1,"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/posts\/3309\/revisions"}],"predecessor-version":[{"id":3311,"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/posts\/3309\/revisions\/3311"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/media\/3310"}],"wp:attachment":[{"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/media?parent=3309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/categories?post=3309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/credobonum.bg\/en\/wp-json\/wp\/v2\/tags?post=3309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}